Adobe Camera Raw for Digital Photographers Only by Rob Sheppard

By Rob Sheppard

Professional photographer Rob Sheppard explains the main points of digital camera uncooked, the stairs for utilizing it, the workflow procedure, and likely most sensible practices that demonstrates how digital camera uncooked can empower the electronic photographer. Encouraging you to exploit it as you spot healthy, he explores the improvements within the latest iteration and is helping you care for RAW's barriers, deal with white stability and publicity, decrease noise (especially in evening shots,) and learn how to use digicam settings that utilize uncooked features.

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Extra info for Adobe Camera Raw for Digital Photographers Only

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2-22 2-23 Capture Workflow 2-22, and Camera Raw allows you to bring out a great deal of detail in the image. PERFECT EXPOSURE WITH IDEAL HISTOGRAM Figure 2-24, wild lupines blooming along a Southern California highway, represents a perfect exposure with an ideal histogram, although most histograms (even good ones) do not look quite like this. Most of the tones and colors are captured by the optimum part of the sensor’s range (the middle) and appear as a hill nearly centered on the histogram. That’s key to this image because so many of the tones and colors of the actual scene have middle gray tonalities.

Qxp 12/13/07 9:44 PM Page 15 When JPEG Works very, very well and helping minimize noise. The very powerful processing capabilities built into the camera (which essentially is processing the RAW file for you) can offer great results when you’re shooting highquality JPEG. It does require you to pay attention to how you work — you have to expose right, choose the white balance correctly, and so forth, as shown here. It is like having a little RAW expert doing conversions for you in the camera. That said, realize that this conversion is done automatically with no control on your part.

The mythology around RAW files is that they cannot have a bad exposure. This is definitely not true, as you will see. A If this cliff is at the right side, as shown in figure 2-23, then highlights are clipped, meaning they lose detail. If the cliff is at the left, then shadows are clipped, also showing a loss of detail. By loss of detail, I mean total loss of detail at this point in tonalities. No amount of work in Camera Raw can get that detail back as the sensor can capture no detail in areas with brightness values beyond the ends of the histogram.

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